Top

Repo! The Genetic Opera

January 1, 2009

Repo! The Genetic Opera
I got out to one of the local art house theaters today and saw Repo! The Genetic Opera.

It was God-awful.

Strike that. It wasn’t that bad — it might have made a nice direct-to-video piece. It had plenty of problems, but I’d have overlooked them if it had actually been the movie I wanted to see.

From a distance, it’s looked good for months — I love the clip for Zydrate Anatomy (below), but what I wanted to see was more of that; something a bit more camp, more Rocky Horror.

What we got instead was indeed opera, of the fairly dreary variety, which could have about as well been subtitled “Hey. Having kids sucks.”

There were some bright spots. Anthony Head can still do a pretty credible job of belting out a tune, and was arguably the male lead, instead of Paul Sorvino (who himself wasn’t terrible). Alexa Vega did well in the lead. Paris Hilton did not manage to stink up the film any more than it was otherwise stunk up.

Everybody else was just sketched in, tho. Why would you have Sarah Brightman in a musical and only let her do a miniscule amount of singing? Mosley and Ogre were intriguing as Luigi and Pavi Largo, but their characters weren’t allowed enough exposure to do anything with them. Zdunich’s “Grave Robber” from the Zydrate Anatomy scene barely got another five minutes beyond that.

The movie also layed an ungodly amount of “pipe” — I swear 2/3 of it was exposition trying to set the stage for a story that they didn’t have enough time remaining to tell.

This could have been so much more, if it had been done differently.

Here’s the three and a half minute highlight of the movie, if you’d rather not spend the $10 —

Bottom